1.         Hans ASPER
(Zurich 1499 – 1571 Zurich)
Portrait of a bearded man with a Madonna with child on the reverse
Pastel and sanguine
325 x 252 mm

2.         Giovanni Girolamo MUZIANO (also called Il cavaliere Musiano,
Girolamo da Brescia, Girolamo Bressano and il Giovanni de Paesi)
(Acquafreda near Brescia 1528 – 1592 Rome)
Head of a man
Brown wash and pen, 180 x 205 mm
Provenance: coll. Sagrada Borghese

3.         Giovanni del VECCHI
(1536 Borgo San Sepolcro – 1615 Rome)
Architecture
Ink and brown wash, 187 x 292 mm
Provenance: coll. Sagrada, Borghese

4.         Alexandre ARDENTE (also called Ardenti di Faenza)
(Pisa or Lucca 1539 – 1595)
Allegory of Justice surrounded by putti
Brown ink
243 x 217 mm

5.         Biagio Pupini “dalle Lamme”
(active Bologna 1511 – 1551)
The Dispute of the Sacraments
Ink & brown wash heightened with lead-white on brown paper
280 x 321 mm

Provenance :

1. Jonathan Richardson
2. Thomas Hudson (his stamp)
3. Sir Joshua Reynolds (his stamp)
4. F. Villot

6.         Cristoforo RONCALLI called IL  POMMARANCIO
(Pomerance circa 1553-1626 Rome)
Two seated Putti on clouds (recto)
A sketch of a putto (verso)
sanguine, 250 x 180 mm
Italian sculpted and gilded 17th century frame

7.         Pieter STEVENS II
(Malines 1567 – post 1624)
Landscape and a city in the background
Grey wash, pen and ink
220 x 319 mm

8.         Bernardo STROZZI
(Cremona/ Genova 1581 – 1644 Venezia)
Study of a man holding a staff (recto)
Studies of two hands (verso)
Inscribed ‘cotera’ (verso)
Black and white chalk on grey-blue paper, watermark encircled device
217 x 175 mm
Provenance : Album ‘Borghese’

9.         Cornelis SCHUT
(Antwerp 1597 – 1655 Antwerp)
The Ascension
Black ink, grey wash
180 x 264 mm

10.      Guillaume PANNEELS
(Antwerpen ca 1600 - ?)
“Drapé”
Black chalk, 410 x 245 mm

11.      Jan BOECKHORST
(Münster 1605 – 1668)
Astronomia or Geografica

291 x 338 mm
Provenance

1. coll. Carl Ritter von Zepharovich;
2. coll. Vincent Mayer (L. 2525) 
3. coll H. Beckmann (L. Sup. 2756a).
4. Belgian private collection

12.      ERASMUS QUELLINUS II

(Antwerp 1607 – 1678)
The infant Christ appearing to St Ignatius Loyola
pen and brown ink and wash heightened with white
over black chalk
250 x 140 mm

13.      François  DUCHATEL
(Brussels circa 1616/1625 – 1679 Brussels)
Study of an elegantly dressed man, full length
Black chalk, 246 x 163 mm
Provenance :   M. de Cerenville
With Herman Shuckman Gallery, New York
Exhibition :                 Amsterdam/Dordrecht 1994-95, cat. n°20

14.      Nicolas LAGNEAU
(Active early 17th century)
Portrait of a man wearing a fur-trimmed hat
202 x 142 mm
Bears indecipherable inscription in brown ink, verso black and red chalk, with touches of white heightening; a faint red chalk head study on the verso.

15.      Niccolo BERETTONI
(Macerata di Montefeltro 1637 – 1682 Rome)
The Angel‘s apparition
Black chalk and black pen on brown paper, 267 x 203 mm

16.      Francisque MILLET
(Antwerpen 1642 – 1679/80 Paris)
Landscape with an imaginary town
Sanguine
287 x 190 mm

17.      Gillis-Frans BOECKSTUYNS
(Mechelen 1651 – 1714 Mechelen)
A seated putto
Sanguine
290 x 199 mm

18.      Raymond LAFAGE
(Lisle-sur-Tarne1656 – Lyon 1684)
Mythological scene
Brown ink
238 x 244 mm

19.      Sieuwert VAN DER MEULEN
(1670 - Aklmaar 1730)
Marine
Wash on paper, 180 x 284 mm
Signed and dated: SYMeulen 1697

20.      Aureliano MILANI
(Bologna 1675 – 1749 Rome)
Time Revealing Virtue
Pen and brown ink, brown and grey wash
over black chalk
270 x 410 mm

21.      Peter TILLEMANS
(Antwerp 1684-1734 Norton –Suffolk)
Le passage du gué
Grey and black wash, ink and white heightenings
245 x 412 mm
Ca 1720
Provenance

1. coll. Prince d’Arenberg
2. coll. C. Theeuws

22.      Nicolas LANCRET
(Paris 1690 - 1745)
Naked woman
Preparatory study for an oil painting
recto verso,
135 x 185 mm

23.      Jacob DE WIT
(Amsterdam 1695-1754)
Head of young girl
Black chalk, grey wash, white heightening, sanguine
255 x 203  mm
Signed J. de Wit lower left
Provenance
Previous collection de Montgolfier, Paris

24.      BOUCHER François
(Paris 1703 – Paris 1770)
Study of a man
Black chalk with sanguine
199 x 190 mm
confirmed by Alastair Laing
provenance
- Klebezettel Brough Collection, Leek, Staffordshire, 26/11/1918
- Nicholson Institute, Leek, Staffordshire, 1968.

25.      Filippo GIUNTOTARDI
(Rome 1768 – 1831 Rome)
The bay of Taormina
Watercolour, 500 x 740 mm

26.      Fritz ZUBER-BÜHLER
(Le Locle 1822 – 1896 Paris)
A Young Woman in Mourning
Charcoal and colored chalk with touches of pen and black ink, heightened with white and squared, on buff laid paper, 615 x 490 mm
Inscribed at upper right Mme Bothereau / rue St. Charles 5 à la / chapelle
Exhibited :
400 Years of Swiss Drawings : The Kurt Meissner Collection, C.G. Boerner, New York, 2001.
Provenance 

1. Estate of the artist  (Lugt 2677a)
2. Sold at Hôtel Drouot, J. Claine et Simonson, Paris, March 1897

27.      Alfred STEVENS
(Brussels 1823 – 1906 Paris)
Miss Clermont Tonnerre
Chalk and colour pencil with white heightenings, 566 x 402 mm
Signed and dated 1865,
Inscribed Paris

28.      Félicien ROPS                                                          
(Namur 1833 – 1898 Cobeil)
Women and hats
Pen and ink, 320 x 440 mm

29.      James ENSOR
(Ostende 1860 – 1949)
« La vanité dansante »
Black pencil, 350 x 450 mm
signed, inscribed on the back: Oostende, 26 juillet 45
provenance

1. previous collection Geleyns, Oostende

30.      Ferdinand SCHIRREN
(Antwerp 1872 – Brussels 1944)
The artist’s wife at the window, ca. 1907
Black chalk, 750 x 610 mm
Signed in the lower part, on the right

31.      HENRI SOMM
(Rouen 1844 - 1907 Paris)
Women in a park
black chalk on paper
400 x 245 mm
signed HS lower right

33.      Gustave DORE
(Strasbourg 1832 – 1883 Paris)
Ecce Homo
Black and white chalk on blue paper
Monogrammed lower right G.D. (on the base of the vase)
620 x 455 mm

All exhibited works are for sale subject to availability and subject to the Terms and Conditions recommended by The Society of London Art Dealers a copy of which is below